Âvâz-e Bayât-e Tork

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Âvâz-e Bayât-e Tork in Pish-Radif

– In the following table, all the Dângs and Pângs of the open Gushehs in Âvâz-e Bayât-e Tork are notated.
– Each of the Dângs and Pângs are played on Târ.
– In some Gushehs we go to higher notes during the descending movement (Forud) which are not considered as part of the Dâng or Pâng of that Gusheh.
– Pish-Radif includes all the open Gushehs of each Dastgâh and Âvâz, while each lesson is only based on one closed Gusheh which is introducing all the musical atmospheres of all the open Gushehs as one of the eleven lessons of Pish-Radif.

Legend:

S = Not-e Shâhed (Central note)
I = Not-e Ist (Final note)
IM = Not-e Ist-e Movaghat (Temporary final note)
In some cases, one note is used as S and I

Open Gusheh	**Dâng & Pâng**	Audio File
*Darâmad*
*Jâmeh-Darân*
*Feyli*
*Shekasteh*
*Forud az Jâmeh-Darân*		*********

Âvâz-e Bayât-e Tork in Three Different Vocal Radifs

– In the following tables, we have all the open and closed Gushehs from three vocal Radifs of three master musicians, Hassan Kassâie, Mahmoud Karimi and Abdollah Davâmi.
– In different Radifs, there may be more than one Darâmad and most of the times, they are labeled as first, second, etc., But sometimes based on the melodic contour of them, they adopt a new name or an adjective that refers to their relative Gusheh.

Notes:

– Âvâz-e Bayât-e Tork and Âvâz-e Bayât-e Isfahân are two more complex Âvâzes among the five Âvâzes of classical Persian music.
– There are many similarities between Âvâz-e Bayât-e Tork and Dastgâh-e Mâhur and they have two main common open Gushehs, Feyli and Shekasteh. Because of these similarities between these two systems we can see that Ostâd Kassâie has added some other Gushehs of Dastgâh-e Mâhur to Âvâz-e Bayât-e Tork in his Radif like Goshâyesh, Hessâr-e Mâhur or Pass-Mâhur, Delkash, Râk… which are not in the Radifs of two other Ostâds.
– In each system of Dastgâh or Âvâz some closed Gushehs are known just by their traditional melodic patterns, not their specific poetic rhythms like Ashirân, Do-Gâh and Ruh-ol Arvâh in Darâmad and Ghara-Bâghi in Jâmeh-Darân of Bayât-e Tork. Because of this reason master musicians perform these Gushehs by singing a line or two lines of the same Ghazal which they have chosen to sing the open Gushehs of that system and add the traditional melodic pattern of that closed Gusheh as a Tahrir or ornamentation.

Open Gushehs of Âvâz-e Bayât-e Tork

*Pish-Radif* *5 Gushehs*	Radif-e Ney of Kassâie *6 Gushehs*	*Vocal Radif* of Kassâie 5 Gushehs**	Radif of Karimi *5 Gushehs*	Radif of Davâmi Tar M.R. Lotfi *3 Gushehs*
Darâmad			Darâmad 1st-2nd
Jâmeh-Darân
Feyli	Feyli or Panj-gâh
Shekasteh
Forud az Jâmeh-Darân
	Goshâyesh or Râst	Goshâyesh
		Delkesh

Closed Gushehs and Their Poetic Rhythms of Âvâz-e Bayât-e Tork

Pish-Radif 1 Gushehs	Radif-e Ney of Kassâie 19 Gushehs	Vocal Radif of Kassâie12 Gushehs	Radif of Karimi 7 Gushehs	Radif of Davâmi Tar M.R.Lotfi *6 Gushehs*
Shahâbi Ta Tan Tan Tan (2x) / Ta Tan Tan	Shirin-o Farhâd or Shahâbi Ta Tan Tan Tan (2x) / Ta Tan Tan		Shahâbi Ta Tan Tan Tan (2x) / Ta Tan Tan	Shahâbi Ta Tan Tan Tan (2x) / Ta Tan Tan
		Ashirân Instrumental
				Second Darâmad Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Tan Tan
	Dâd
		Ghara-Bâghi Traditional Melodic Pattern
	Majles-Afruz Instrumental	Majles-Afruz Instrumental
	Do-Gâh Tan Tan / Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan	Do-Gâh Tan Tan / Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan	Do-Gâh Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan	Do-Gâh Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Tan Tan
	Ruh-ol Arvâh Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan		Ruh-ol Arvâh Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan	Ruh-ol Arvâh Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Tan Tan
	Ghatâr Tan Tan / Ta Ta Tan / Ta Tan Ta Tan / Tan Ta Ta Tan Ghatârband	Ghatâr Tan Tan / Ta Ta Tan / Ta Tan Ta Tan / Tan Ta Ta Tan	Ghatâr Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan	Ghatâr No Poem
			Gharâie Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan / Ta Ta Tan Tan
	Mehrabâni or Behbahâni Ta Tan Tan Tan (4x) Tarâneye-Mehrabâni	Mehrabâni Ta Tan Tan Tan (4x)	Mehrabâni Ta Ta Tan Ta Tan (4x)
	Keykâvusi or Takht-e Tâghdis
		Mehdi Zarâbi
	Hessâr-Mâhur or Pass-Mâhur	Hessâr-Mâhur or Pass-Mâhur
	Shekasteh Masnavi-e Shekasteh
	Neyriz	Neyriz
	Reng-e Râk-e Abdollâh	Zarbi-e Râk
	Râk-e Abdollâh	Râk-e Abdollâh
	Hazin
	Tork-e Khasteh
	Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan	Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan	Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan	Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan