Âvâz-e Abu-Atâ – Pish-Radif

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Âvâz-e Abu-Atâ in Pish-Radif

– In the following table, all the Dângs and Pângs of the open Gushehs in Âvâz-e Abu-Atâ are notated.
– Each of the Dângs and Pângs are played on Târ.
– In some Gushehs we go to higher notes during the descending movement (Forud) which are not considered as part of the Dâng or Pâng of that Gusheh.
– Pish-Radif includes all the open Gushehs of each Dastgâh and Âvâz, while each lesson is only based on one closed Gusheh which is introducing all the musical atmospheres of all the open Gushehs as one of the eleven lessons of Pish-Radif.

Legend:

S = Not-e Shâhed (Central note)
I = Not-e Ist (Final note)
IM = Not-e Ist-e Movaghat (Temporary final note)
In some cases, one note is used as S and I

Open Gusheh	**Dâng & Pâng**	Audio File
*Darâmad*
*Hejâz*
*Odj-e Hejâz*
*Sârang*

Âvâz-e Abu-Atâ in Three Different Vocal Radifs

–In the following tables, we have all the open and closed Gushehs from three vocal Radifs of three master musicians, Hassan Kassâie, Mahmoud Karimi and Abdollah Davâmi.

– In different Radifs, there may be more than one Darâmad and most of the times, they are labeled as first, second, etc., But sometimes based on the melodic contour of them, they adopt a new name or an adjective that refers to their relative Gusheh.

Notes:

– There are some Gushehs that have more than one version in different Radifs. Like Gabri in Radif of Kassâie or Râmkali and Khosrow-o Shirin in Radif of Karimi.

Open Gushehs of Âvâz-e Abu-Atâ

Pish-Radif 4 Gushehs	Radif-e Ney of Kassâie 7 Gushehs	Vocal Radif of Kassâie 3 Gushehs	Radif of Karimi 2 Gushehs	Radif of Davâmi Tar M.R. Lotfi 2 Gushehs
Darâmad	Darâmad (Dastân)	Darâmad (Dastân-ol Arab)
Hejâz
Odj-e Hejâz
Sârang
	Rahâvi

Closed Gushehs and Their Poetic Rhythms of Âvâz-e Abu-Atâ

Pish-Radif 1 Gusheh	Radif-e Ney of Kassâie 21 Gushehs	Vocal Radif of Kassâie 10 Gushehs	Radif of Karimi *7 Gushehs*	Radif of Davâmi Tar M.R. Lotfi *4 Gushehs*
Châhâr-Pâreh Ta Ta Tan Ta Tan (4x)	Châhâr-Pâreh or Châhâr-Bâgh Ta Ta Tan Ta Tan (4x)		Châhâr-Pâreh or Châhâr-Bâgh Ta Ta Tan Ta Tan (4x)	Châhâr-Pâreh Ta Ta Tan Ta Tan (4x)
	Ashirân Traditional Melodic Patterns
	Basteh Negâr Traditional Melodic Patterns
	Sayakhi Ta Tan Tan Tan (4x)	Sayakhi Ta Tan Tan Tan (4x)	Sayakhi Ta Tan Tan Tan (4x)
	Râmkelli Tan Tan / Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan	Râmkelli Tan Tan / Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan	Râmkali 1-2 Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Tan Tan Tan Tan / Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan	Râmkali Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Tan Tan
	Khosrow-o Shirin Ta Tan Tan Tan (2x) / Ta Tan Tan	Khosrow-o Shirin Ta Tan Tan Tan (2x) / Ta Tan Tan	Khosrow-o Shirin 1-2 Ta Tan Tan Tan (2x) / Ta Tan Tan Ta Tan Tan Tan (2x) / Ta Tan Tan	Khosrow-o Shirin Ta Tan Tan Tan (2x) / Ta Tan Tan
	Shirin-o Farhâd Ta Tan Tan Tan (2x) / Ta Tan Tan
	Gabri or Guri Tan Tan Ta / Ta Tan Ta Tan/ Ta Tan Tan	Gabri Tan Tan Ta / Ta Tan Ta Tan/ Ta Tan Tan	Gavri Ta Tan Tan Tan (2x) / Ta Tan Tan	Gabri Ta Tan Tan Tan (2x) / Ta Tan Tan
	Sadri or Nahvi Tan Tan / Ta Tan Tan / Ta Tan Tan	Sadri Tan Tan / Ta Tan Tan / Ta Tan Tan
	Samali Traditional Melodic Patterns
	Yatimak Tan Ta Tan / Tan Ta Ta Tan / Tan Ta Ta Tan / Tan Tan Tan Sâranj dar Yatimak	Yatimak Tan Ta Tan / Tan Ta Ta Tan / Tan Ta Ta Tan / Tan Tan Tan
	Sabali Traditional Melodic Patterns
	Hozzân Traditional Melodic Patterns
	Shekasteh Bakhtiâri Ta Tan Tan Tan (2x) / Ta Tan Tan
	Gusheh-ye Safâ Ta Tan Ta Tan Tan (4x)
	Râk-e Abdollâh Tan Ta Tan / Tan Ta Ta Tan / Tan Ta Ta Tan / Tan Tan Tan
	Hasan Musâ Ta Tan Tan (3x) / Ta Tan	Hasan Musâ Ta Tan Tan (3x) / Ta Tan
	Ghamangiz Ta Tan Tan Tan (2x) / Ta Tan Tan	Ghamangiz Ta Tan Tan Tan (2x) / Ta Tan Tan
		Bâl-e Kabutar Traditional Melodic Patterns ******
	Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan	Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan